Watch it here for free: http://mubi.com/films/vers-madrid-the-burning-bright/watch
(mubi.com) With VERS MADRID Sylvain George makes a “newsreel” with the cinematic experiments in mind conducted by the likes of for example Robert Kramer, Jean-Luc Godard during the seventies. A newsreel which presents views, scenes, political moments of class struggle and revolution in Madrid in 2011, 2012, 2013. As a “newsreel experimental”, the film tries to present political and poetical experiments, but also shows new forms of life, implemented by generations which have remained too long in silence. Past and future meet in the present at Place Puerta del Sol, where they are constantly reinvented. —Joana Ribelle
After documenting the inhuman conditions in which tens of Africans refugees live in the streets of Northern France with his two films Les Éclats and Qu’ils reposent en révolte (Best Film in the 2011 edition of Bafici), Sylvain George now goes to Madrid to document and understand the different demonstrations that took over the city streets in early 2011. His approach is almost journalistic, with that objective tone that we know doesn’t really exist –like those newsreels that were screened in theaters back in the Thirties and Forties, or like Jem Cohen recreates them in one of his latest films (Newsreels: Reports from Occupy Wall Street). But two years after the events (and ten years since the Argentine 2001, which shares several common features), it is amazing to witness how that material can turn into something else, even despite of itself. A historical event that allows us to analyze with more information, contextualize, and maybe even understand something about modern societies, and where they are heading to. —BAFICI
Source: http://mubi.com/films/vers-madrid-the-burning-bright
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